Category Archives: Copyrights

Wimpy Kid Stands Up to Zombie Kid

Wimpy Kid, Inc., the corporation that owns the trademarks and copyrights for the highly successful “Diary of a Wimpy Kid” series (“DOAWK”) filed suit in Massachusetts this week against Antarctic Press, a Texas company that is publishing a series called “Diary of a Zombie Kid.” Wimpy Kid’s complaint alleges trademark, trade dress, and copyright infringement, among other claims. Wimpy Kid is owned by Jeff Kinney, the author of the successful DOAWK series about a hapless kid surviving middle school. Over fifty-two million copies of the books have been sold in North America and each climbed to the top of the New York Times Bestseller list. Wimpy Kid has parlayed the success of the books into other branded merchandise, including clothing, toys, games, puzzles, and card games. The DOAWK series has also spawned two successful major motion pictures, which together have grossed more than $115 million in the United States alone. In addition to the six books in the series, Wimpy Kid and its publisher has written and marketed two editions of a book that accompanies the movies and two editions of a DOAWK themed do-it-yourself guide.

Antarctic Press published its book “Diary of a Zombie Kid” on or about August of 2011, which chronicles the misadventures of a middle schooler with a “zombie virus,” and is selling it nationwide through major retailers like Barnes and Nobles and Amazon.com. “Diary of a Zombie Kid” has also transported (or whatever zombies do) itself onto the New York Times bestseller list. According to Wimpy Kid, Antarctic Press has intentionally designed and titled its book, “Diary of a Zombie Kid” so that it looks just like the “Diary of a Wimpy Kid” series and consumers will be confused into thinking it is simply the latest offering from Wimpy Kid, Inc. The covers and spines of both series use similar colors, type styles, hand-drawn characters, and other artistic elements and, I have to admit, look a whole lot alike. Having had three kids that have loved the DOAWK series and having picked up these books lying around my house for the last five years or so, I am something of an lay expert on what they look like. In my admittedly unscientific poll of my children, they found the two covers to be confusingly close and said they would have assumed that Jeff Kinney wrote the zombie book too. No doubt the Zombie folks will counter with a parody defense and it remains to be seen if this will fly but the Wimpy Kid has made a pretty good opening salvo.

Anatomy of a Business Divorce– When the Dream Unravels, Who Gets Custody of the IP ??

This cautionary tale is a scenario that I have seen over and over in my law practice. Two creative people meet and become friends, a business develops, something happens, things go south, the friendship sours, a business unravels and litigation ensues. In fact, it happens so often, I thought I would relay the fictional story of Jack and Rob, both to lay out the legal issues that come up in the dissolution of a business and to provide some advice as to what they could have done differently.  If “Jack” were a real person, he would have relayed something like this sad (and completely avoidable) tale over a cup of lukewarm coffee at my office. Here’s Jack’s story:

Jack:   My old college roommate Rob and I started a website selling t-shirts with funny political slogans on them. I came up with the slogans and ideas for the cartoons that would go with each slogan. Rob is a talented artist so he would draw the designs. The business is called “Politically Speaking.” I came up with that name and trademarked it with me as the owner. I have also trademarked several of the names of our most popular shirts in my name as well, which Rob didn’t know about.  I paid for all of the trademarks with my own money and obtained them in my own name—well, rather I used the business’ checking account to pay the filing fees but paid it back with my own money. I am the tech-savvy guy so I created the website, wrote all the copy on it, and created a political blog to promote it. Rob did create some artwork and photography for the website and photographed the products. We were doing pretty well with this business and were both making a good living from it. We have a huge window of opportunity coming up with the 2012 presidential election and expected to grow the business about 25% over the next two years.

Even though we used to be best friends, we have now had a big falling out over our political differences. At first it didn’t bother me but now it really gets on my nerves. He’s an Obama supporter and I like Ron Paul (who Rob constantly ridicules). I also found out that Rob had used company funds to make a pretty big Obama donation without my knowledge or permission (at least I think it’s big–$2,500). I am furious about the donation and he is mad at me because he found out that I obtained the trademarks in my own name without telling him about it. We can’t get past our problems, have grown to hate each other and can’t possibly stay in business together. He says he owns our products because he designed them artistically. I say he doesn’t because I came up with the basic idea of each shirt, he just executed my ideas. I own the domain name for the website and I have all the passwords to access the site, including the emails that come in. I also maintain our customer list in a database that I created and maintain. I say the trademarks, website, database, and customer list are mine but he says it isn’t because his art work is used throughout the website and he designed the logos.

Because we used to be such good friends, we never had a lawyer draw up any contracts to control the operation of our business or anything like that so I say it’s every man for himself. While I’m willing to pay him half of the profit I make from selling off existing inventory and maybe a little something for the artwork on my website, I don’t think I have any further obligation to him after that. I want to lock him out of the website this weekend. Can I do that?

Me: Before I give you an answer on whether or not you can lock Rob out of the website, let me give you some ground rules that will control how this messy situation should be sorted out. First of all, even though there are no written agreements, it is not simply every man for himself. Whether you realized it or not, you and Rob most likely have formed an implied or de facto partnership and most states have a statute that controls how things should go when two business partners get “divorced.” While it will depend on your state’s particular partnership act and could be changed by facts unique to a particular situation, in general terms, the partners are deemed to own the partnership property on a pro rata basis; meaning, if you’ve got two partners, they own the partnership property on a 50/50 basis. And, when two partners dissolve the partnership, they take the partnership’s money and property and put it in a big basket, pay off any debts that the partnership has incurred, and split the value of what’s left.

So, the next question is: what makes up the partnership property in this partnership? Although you might not like this answer, I think that most of the items you’ve discussed here– the existing inventory, the trademarks, the website, the blog, the customer list, and the data base containing those names, likely constitute partnership property. As I’ll get to in a minute, the shirt designs may or may not be partnership property. If the designs aren’t partnership property, they more likely belong to Rob than to you.  Let’s address each of these one by one:

The Existing Inventory

I think there is little doubt that the existing product inventory belongs to the partnership. The purpose of your de facto partnership was to sell these shirts and most courts would find that in the absence of an agreement to the contrary, the shirts that you and Rob had manufactured and are currently selling are partnership property.

The Shirt Designs

The designs of these shirts would be protected by copyright law and we would have to look there to determine their ownership. From your description, it sounds like there is at least an argument that these designs were jointly created. You came up with the overall concept and the slogan and Rob contributed the design. Although, I must tell you that there is also a real possibility that the part you contributed may not be copyrightable, because ideas, short phrases, and titles generally aren’t copyrightable. So, depending on the particular facts of your contribution, you may or may not have jointly created the designs. If you jointly own the copyright, this piece of the puzzle is fairly straightforward because it would be simple to conclude that the partnership owns the joint copyright. If the part that you contributed is not copyrightable, the copyright would be owned by Rob alone. Is the copyright partnership property? While you might think the answer is automatically “yes,” based on the reasoning we applied to the inventory question above, the answer is more likely “no.” Ownership of a copyright can only be transferred in writing. This means that in the absence of a written assignment agreement (or even an informal email) evidencing Rob’s transference of the copyright to the partnership, he likely owns it rather than the partnership. While this sounds bad for you, at least you can argue that the partnership has an license to use the designs, but even this is a gray area.

The Trademarks

Not surprisingly, trademark law controls the ownership of the trademarks. While you obtained federal registrations for the marks and paid for those registrations, you may not own them by yourself. First of all, to obtain a trademark, you had to sign a sworn declaration that certified to the United States Patent and Trademark Office (the “USPTO”) that no one else had any right to the trademark other than you. That statement wasn’t necessarily true because you personally were not the one making use of the marks in commerce–the partnership was the entity using the marks. The partnership (and/or Rob) would have a decent argument that you breached your fiduciary duty to the partnership when you took the marks that it was using and secured them for yourself, possibly perjuring yourself before the USPTO to do so. While there are certainly circumstances that would justify one partner actually owning the marks and orally licensing them back to the partnership, since you did this without Rob’s knowledge, you would have a very difficult time establishing that as the case here. I believe its very likely that a court would ultimately determine that the trademarks belong to the partnership because it was the one actually using them in commerce. If this is the case, you would be entitled to treat your footing of the bill to obtain the registrations as either a partnership capital contribution or it could be treated as a debt to you personally from the partnership. At any rate, you probably don’t own these trademarks in your individual name.

While it is not a good fact that Jack snuck off and registered these trademarks without Rob’s knowledge, Rob is not entirely without fault either. It was likely a breach of Rob’s fiduciary obligation as well to make a political donation with company funds without Jack’s knowledge or permission.

The Website, Blog and Domain Name

Many of these same issues are at play as we determine the ownership of the website. Like the shirt designs, the content of the website would most likely be subject to copyright law. (We’ll assume for the purposes of this question that there is nothing patentable about the content on the website). You created the written content as well as the layout and structure of the website and blog. Because you are the one who shepherded the “idea” of the website and blog into a tangible, written form, you should own them, right? Not so fast. Rob has also contributed copyrightable matter like artwork and photography to the website, which gives him a copyrightable interest in it as well. It looks like you two might jointly own the website and blog.

I realize that you own the domain name and whether it is partnership property will depend on a factual analysis of the entire situation. Whether a court would deem the domain name itself to be partnership property, as distinct from the contents of the website, is something of an open question that can’t be definitively answered without more information. Did you purchase the domain name before or after the partnership was formed, did you purchase it using partnership funds? Did Rob know that you were purchasing it in your individual capacity:? Does the domain name contain the partnership’s trademarks? A court would analyze all of these factors to determine whether the domain name really belongs to you or the partnership.

The Customer Names and the Database in Which They Are Housed

The customer list almost certainly belongs to the partnership. These customers were acquired in the performance of the partnership’s business–selling shirts emblazoned with political cartoons and slogans. The customer list is an asset of the partnership and possibly even a trade secret of the partnership.

As for the database, if you created this database yourself and there is something sufficiently unique about the arrangement of the factual elements in the data base or you programmed code that runs the database, you could have a copyrightable interest in the database and/or the applicable software. If you own the copyrightable interest in the data base, it would probably not be partnership property absent a written assignment transferring that interest back to the partnership. If a court determines that you own a copyright interest in the database, the court could still determine that the partnership has an irrevocable implied license to use the database.

Bottom Line: Unless you have some evidence that Rob intends to get into the website and damage it in some way, do not lock him out. He is a joint owner of the website with you so you don’t have the right to lock him out and you would probably have liability for that act if litigation ensues. This brings me to my next point. Avoid litigation. I know that you are very angry with Rob but it is not in either of your best interest to litigate about these issues. Now that you know the basic lay of the land, you and Rob should sit down and come up with a fair and equitable way to divide these assets between you. Litigating over these issues will likely deplete whatever assets are left and jeopardize the ability of either of you to start over with a new venture. Work something out that is equitable, recognizing that neither of you will be entirely happy with the outcome. I can assure you that you won’t be entirely happy with what a judge decides either but at least you won’t have spend tens, if not hundreds, of thousands of dollars to get to the point of a decision that still doesn’t give you everything you want.

What Jack and Rob Should Have Done Differently

1.    First and foremost, Jack and Rob needed a written partnership agreement or, better yet, they should have formed an entity that gave them even more protection than a partnership would. Always seek legal advice from a good lawyer on the formation of a new venture to determine the business form that is most appropriate for what you are doing.

2.    The agreement should explicitly set out who owns what if it is different than pro rata joint ownership.

3.     The agreement should set out who is to do what work and how it is to be done so that there are no resentments spawned by the all too familiar martyr complex–i.e., “It’s not fair! I’m the one doing all the work!”

4.    The agreement should make clear that all intellectual property created before the formation of the legal entity is transferred from the individual to the legal entity. If this is not the intent of the people involved, at the very least the entity should have a license to use the property that sufficiently protects its ability to do business using the IP. The corporate entity and the individual transferring or licensing the IP should have separate legal counsel to ensure that an arm’s length transaction occurs.

5.         All creative work—the design of the shirts, the design of the website, the content of the website, the design and content of the blog, the design and content of the data base—should have been done pursuant to a work-for-hire agreement. A work-for-hire agreement makes it clear that the business entity, and not the individual doing the work (or any alterations to the work) owns the resulting copyright in the creative work  This is absolutely critical to a business based on intellectual property. You can head off years of expensive litigation and legal fees if you take this simple step on the front end of every project that will result in the creation or alteration of intellectual property.

6.         Don’t sneak off and do things behind your business partner’s back. This almost always will result in bad will and damage the relationship. The corollary to this rule is don’t go into business with someone that you don’t trust implicitly. Trust your gut instincts as to the character of your potential business partner. If anything gives you pause as to his or her integrity, walk away.

7.         The agreement should contain a roadmap that sets out how the entity will be dissolved and the property divided in the event that things don’t work out.

Copyright Office Says No Copyright Protection for Exercise Routines

There is a lawsuit pending in California in which a yoga master is suing his former pupil and the pupil’s yoga company alleging that the pupil breached the terms of a license agreement that allowed the student to teach the master’s copyrighted “Bikram” yoga system.  The yoga master alleges in his complaint that he developed the Bikram system, which is comprised of 26 separate yoga positions and two breathing exercises in a precise order, and has promoted it since 1971. The plaintiff copyrighted his specific yoga program in 1978 and has only allowed it to be taught by others if they sign and adhere to his license agreement. The former pupil entered into the license agreement but his business, Yoga to the People, has since offered cheaper classes that don’t meet the requirements of the license under the name, “Traditional Hot Yoga.” The plaintiff sued in September and the defendants recently answered the complaint, denying any liability and arguing that “’Bikram methods’ are utilitarian systems, incapable of copyright or trademark protection. Further, there are no ‘Bikram postures.’ Each and every one of the yoga postures (or “poses” or “asanas“) used in Bikram Yoga classes was developed and recorded hundreds, if not thousands, of years ago, and are in the public domain.”

More importantly, the defendants’ answer also shed light on the copyright office’s current position as to whether exercise routines are protected as “choreography” under the Copyright Act.  The defendants attached a letter to their answer from the U.S. Copyright Office’s Performing Arts Division’s acting chief that confirmed that yoga exercise sequences no longer qualify as protectable choreography under U.S. Copyright law:

“Our general position with respect to exercise routines has changed in the last few years,” Acting Chief Laura Lee Fischer said in the letter. “Previously we took the position that although functional physical movements did not represent the type of authorship which Congress intended to be protected under the copyright law, we could register the selection and ordering of public domain exercises.”

But “more recently, we have had occasion to re-evaluate this position,” Fischer said. “Exercises, including yoga exercises, do not constitute the subject matter that Congress intended to protect as choreography. Thus, we will not register such exercises (including yoga movements), whether described as exercises or as selection and ordering of movements.”

This letter isn’t necessarily binding on the California federal court (and certainly doesn’t bode well for the plaintiff), but it does tell us the Copyright Office’s current position on whether a system of exercises is protectable or not: the answer is “no.”

The case is Bikram’s Yoga College of India LP et al. v. Yoga to the People Inc. et al., Docket No. 2:11-cv-07998, in the U.S. District Court for the Northern District of California.

The RIAA and AAP Pile on Against Righthaven

The Association of American Publishers (the “AAP”) and the Recording Industry Association of America (the “RIAA”) asked the Ninth Circuit on December 5, 2011,  for permission to  file an Amici Curie brief in Righthaven’s appeal of the dismissal of its copyright infringement case against a blogger who posted the entire text of a Las Vegas Review Journal article on his blog without permission.  The case is Righthaven v. Hoehn, Docket No. Case No. 2:11-CV-00050-PMP-RJJ, Nevada District Court.  Righthaven is the so-called copyright “troll” that has engendered a lot of controversy because it has brought more than 200 copyright cases against bloggers, non-profits, and other defendants for supposedly using copyrighted content originally published by the Las Vegas Review Journal and the Denver Post without permission.  Righthaven doesn’t actually own this content; it only owns the “naked” right to sue for infringement of the copyrights in the content.

In the case below, the Nevada district judge held that Righthaven lacked standing to bring its claims and that Hoehn was entitled to summary judgment on the infringement claims because its use should be deemed “fair use.” The district court focused on the fact that the blogger used the article for a non-commercial purpose, he had used it merely to convey information, and there was no showing that the market for the article had been damaged by the blogger’s post.  The industry groups take issue with the fact that the district judge reached the issue of “fair use” at all, given his holding that Righthaven lacked standing to bring the case. The Amici assert that it is not reasonable to base a finding that the use caused no harm to the market for the content given that a so-called “troll” cannot adduce evidence about markets in which it can’t participate and have no incentive to understand.

The Prevailing Party in a Copyright Case Gets only a “Ford Fusion” Attorney Fee, Not a “Ferrari” Attorney Fee

Last spring, Coca-cola won a case against a composer who translated a new verse of the song “Coca-Cola Celebration Mix“, into Spanish as a part of a $300 million global advertising campaign. For $6,000, the composer agreed to write a Spanish-language version of the song for Coca-Cola. The dispute was whether the agreement entered into with the plaintiff was a “work for hire” arrangement.  Evidence emerged in discovery that indicated that the work was indisputably a work-made-for-hire, Coke obtained a summary judgment, and the composer was out of luck. Coke moved for an award of its attorney fees and the Magistrate issued a Report and Recommendation allowing partial attorney’s fees in the amount of $535,135.00 and partial costs in the amount of $43,011.99. The Magistrate allowed the fees because the plaintiff should have dropped the case when the evidence of the work-made-for-hire agreement surfaced but he soldiered on. The district court affirmed. See Vergara Hermosilla v. The Coca-Cola Co., No. 11-11317 (11th Cir. Nov. 3, 2011). While this is a lot of money, it was a lot less that Coke was seeking (Coke wanted $1.7 million). The district judge upheld the reduction in the amount holding that Coca-Cola was only entitled to reasonable attorney fees, not the fees that it paid for the services of a premium law firm that had staffed 19 attorneys on the case.  As the court colorfully put it:

[“R]easonable” fee applications . . . are designed to provide adequate compensation that is reasonable to bill to one’s adversary irrespective of the skill, reputation or experience of counsel. In other words, one can drive from point A to point B in a Ferrari, a BMW, or a Ford Fusion. Which car one chooses is ordinarily a matter of personal style coupled with financial freedom. The successful personal injury or criminal defense lawyer may choose the Ferrari. The average corporate defense lawyer will wisely choose the BMW. But a successful attorney fee applicant can only choose the Ford Fusion.

This ruling is sensible–to hold otherwise would chill suits against the deep pocket defendant who can afford the raft of lawyers and paralegals that cases like this can generate. Litigation may be the “sport of kings,” but the unlucky litigant that has to foot the bill may be able to get by with paying more bourgeois  rates. That may be small consolation to Mr. Hermosilla but, hey,  it’s not as bad as it could have been.

Copyright Suit Filed over Rights to “Cowboys & Aliens”

Picture Writer Steve Busti sued Scott Mitchell Rosenberg, Universal Studios and others this week claiming they ripped off the idea of the movie “Cowboys & Aliens” from a comic strip and graphic novel he wrote in the 1990’s, based on the idea that aliens landed in the wild, wild west and fought with cowboys. In the copyright infringement suit filed in Austin, Texas, Busti claims he came up with the aliens vs. cowboys concept and it was published in a comic book around 1994. Supposedly, around that same time,Comic Shop News, a comic book oriented publication,  ran a feature on Plaintiff’s “Cowboys and Aliens.” In that same issue, on the same page that Busti’s feature appeared, a story appeared concerning Malibu Studios and defendant Scott Mitchell Rosenberg. In May of 1997, two years after the publication of Plaintiff’s “Cowboys and Aliens,” Defendants Scott Mitchell Rosenberg and Platinum Studios, Inc., produced a one-sheet featuring a cowboy chased by an alien spaceship titled “Cowboys & Aliens.” Shortly thereafter, Universal Studios and Dreamworks bought the film rights to the project pitched by Rosenberg called “Cowboys and Aliens.” In 2006, Rosenberg launched a graphic novel series called, coincidentally enough, “Cowboys and Aliens.” To hear Busti tell it, Rosenberg’s graphic novel was very similar to his earlier “Cowboy and Alien” works: they both had an alien spaceship zooming overhead the main cowboy character [me: “so what?”] and they both had the spacecraft being discovered by Native American warriors (specifically Apache) who are then attacked [me: “well, OK…a little closer”]. In addition, the alien commander in Rosenberg’s novel was similar to the alien conqueror “Morguu” in Plaintiff’s work [me: “All alien bad guys kinda look alike to me.”]. While this movie didn’t receive very good reviews, it did make over $100 million at the box office so a lot is at stake. I haven’t seen the movie and I haven’t read the comic book or the graphic novel so I can’t opine on whether or not there is substantial similarity here but it sounds like the Plaintiff can make a decent case for access. I doubt that will be enough given these stock alien/western movie conventions but time will tell.

After His Victory Against Curb Records This Week, Tim McGraw Announces that He Will Release His First Music Without Curb

In the latest salvo between Tim McGraw and his estranged label, Curb Records, McGraw announced that next week he will release his first song, “Christmas Around the World,” with no involvement or help from Curb. Until a ruling by Davidson County Chancellor Russell Perkins this week, McGraw was still bound by a five-record deal with Curb that had stretched out for more than 20 years because Curb required a minimum wait of 18 months between projects. Since Curb had the ability to also release previously recorded material, such as “Greatest Hits” collections, ect., McGraw maintains that the waiting period had the effect of making it take an inordinate amount of time for McGraw to fulfill the five album deal–20 years and counting. The other issues in the lawsuit between McGraw and Curb–whether McGraw breached the record contract or is due a $1.5 million advance for the album Emotional Traffic will be decided in a trial this summer. After its loss in court last week, Curb announced that it would release the Emotional Traffic album in January, even though it continues to maintain that that project does not count towards McGraw’s five album total because it was recorded sooner that 18 months after the release of other McGraw material and therefore is not “fresh” enough.

Lassie is Not Afraid of Any Danger, Even Copyright Infringement

Lassie

Classic Media, the company that owns the rights to the fictional canine heroine “Lassie,” has filed a $1 million copyright lawsuit against financial services firm J.G. Wentworth and its advertising agency for making a TV commercial with a dog that allegedly is too similar to its well-known and well-loved character. J.G. Wentworth aired a commercial in which a boy and his mother, dressed in 1950’s garb, are sitting in their kitchen, bemoaning their dire financial situation. It seems the mother is about to lose the ranch. The boy appears to be confused and says, “But mother, don’t you get regular settlement payments?” The mother answers, “Yes, but we need a lump sum payment to pay it off.”

Enter their collie dog who rushes through hill and dale to find help, in the form of J. G. Wentworth, who can provide a cash payout for structured settlements.

Classic Media alleges in its complaint that J.G. Wentworth sent them a couple of emails about licensing the character but that J.G. Wentworth appeared to drop the matter.

Whether a defendant is infringing a copyright by using traits of an iconic fictional character is a close call. Simply evoking the “ghost” of the character is not enough. Stirring one’s memory of the copyrighted character is not the same as creating a character that is substantially similar to the copyrighted character.  If the two characters share some traits but look and act differently in the larger context, there will be no infringement.  What matters is whether the “overall perception” of the second character is different from the copyrighted character. See Warner Bros. Inc. v. American Broadcasting Companies, Inc., 720 F.2d 231,  (2d Cir.  1983).

J.G. Wentworth will undoubtedly argue that the commercial is a parody. It’s hard to know at this point if that will fly.  It’s hard to bet against Lassie, though.

Classic Media LLC v. J.G. Wentworth LLC et al., Docket No. 1:11-cv-08394, in the U.S. District Court for the Southern District of New York.

Has Beyonce Infringed Choreographer’s Copyright in Dance Moves?

A screenshot from De Keersmaeker's “Rosas Danst Rosas.

Accusations are flying around that the choreography for Beyoncé’s  new “Countdown” video were pilfered from the work of Belgian contemporary choreographer Anne Teresa De Keersmaeker.  There are some move -for-move/shot-for-shot similarities between the pieces. So, what is this, inspiration, homage or infringment? Beyonce takes her place in a long and distinguished line of dance plagerists. Stealing dance moves is nothing new.

When Is It Okay To Copy Someone Else’s Stuff?

I frequently get calls from clients wanting to know if they can use someone’s copyrighted material for a presentation they are doing. Let’s talk about a hypothetical client who wanted to know if he could use clips from old TV shows and movies to spice up a boring presentation he was making to college students about recent developments in the automotive industry or some such topic. (Spoiler alert: Forty years after the first gas crisis and we still don’t have cars that get a decent MPG).  Anyhow, let’s say this client was making the presentation to around 75 engineering students. Although you might think this was a simple “yes” or “no” question, you’d be wrong. The issue is whether this particular use in these particular circumstances constitutes “fair use” under U.S. Copyright laws. There are a number of factors to consider but the main ones are as follows:

Purpose of use: Copying and using selected parts of copyrighted works for specific educational purposes qualifies as fair use, especially if the copies are made spontaneously, are used temporarily, and are not part of an anthology. The fellow in the hypothetical was using the clips for educational purposes so this factor cut in favor of fair use.

Nature of the work: For copying paragraphs from a copyrighted source, fair use probably applies. For copying a chapter, fair use may be questionable. Copying an entire poem is probably out.

Proportion/extent of the material used: Duplicating excerpts that are short in relation to the entire copyrighted work or segments that do not reflect the “essence” of the work is usually considered fair use.

The effect on marketability: If there will be no reduction in sales because of copying or distribution, the fair use exemption is more likely to apply. This is probably the most important of the four tests for fair use. This factor cut in favor of our hypothetical client using the works.

    Based on the “fair use” factors, our presenter would likely be able to make out a fair use defense. The purpose was educational, he was not charging a fee; he was using only a very small portion of the overall work, not its “essence”; and his use would have no effect on the marketability of the movie or TV show, etc. In this particular instance, using the clips was probably OK and I would likely give him my qualified blessing (with the endless lawyer caveats, of course.) However, if your proposed use is more commercial in nature, you should consult an attorney before using the copyrighted works of another. Also, don’t make the mistake of thinking that giving the author credit gets you off the hook for copyright infringement if you aren’t able to make out a fair use defense. You either need to obtain the author’s written permission or you need to use material that would not make you guilty of copyright infringement. Maybe this is your chance to work in your own original material. Who knows? You may even be discovered.