Monthly Archives: December 2011

Mining Social Networking Sites for Evidence In Litigation

I am delighted to welcome my friend and fellow IP litigator, Brian Wassom, as my first guest poster on the blog. Brian is a partner in the firm Honigman Miller Schwartz  and Cohn LLP, located in and around Detroit, Michigan. Although Brian is not from Tennessee (which we will will gladly overlook), his observations on the use of social media in litigation cut across all geographic lines. Be sure and check out Brian’s excellent website on social and emerging media found at Wassom.com. Without further ado, here’s Brian’s post:

I never cease to be amazed at what people will write in social media–or at how useful some of those posts can be in court.  Even if the substance of your case has nothing to do with social media, every IP litigator owes it to themselves and to their clients to keep an eye on what opponents and their customers are saying online.

Here are just a few examples of how social media has proven useful in trademark infringement cases that I’ve recently handled:

Proof of Service and Willful Infringement
Just a few days ago, I was drafting a motion for default judgment against a local retail business that uses a very close imitation of our client’s trademarks.  These defendants had spent months ignoring our cease and desist letters, then failed to answer our complaint when we eventually sued.  We had proofs of service, but in these situations, I sometimes wonder what other evidence I could point to if the defendants ever disputed that they’d been properly served. It had been awhile since I’d seen the defendants’ Facebook page, so I looked it up. As it turned out, although the defendants had chosen not to fight the lawsuit in court, that hadn’t stopped them from venting on Facebook about us and the lawsuit to their customers.  This began even before their time to answer the complaint had run out! And if their posts were helpful in proving that they had gotten timely notice of the lawsuit, their responses to customers’ comments were even better.  Not only did the defendants say things like “yes, we have just been sued,” but as an illustration of just how serious the matter was, they even described how thick the summons and complaint were! To top it off, they went on to admit that they had been intentionally “putting [us] off” during those months when they were receiving our cease and desist letters.  That should go a long way in showing this to be an “exceptional case” of willful infringement worthy of an award of costs and fees under the Lanham Act.

Evidence of Actual Confusion
Last year, I was drafting a trademark infringement complaint against an establishment that used knock-offs of our client’s well-known trademarks.  Let’s call my client “Plaintiff,” and the infringer “Defendant.” Of course, it was my job to allege facts showing that Defendant’s actions were causing a likelihood of confusion among potential customers as to whether its goods and services were somehow sponsored by or affiliated with Plaintiff.  And one of the most powerful ways to do that is by demonstrating “actual confusion”–proof that a real customer actually did reach that mistaken conclusion. Normally, such evidence is a bear to come by, and requires expensive customer surveys to gather. But now there are entire social media businesses dedicated to encouraging customers to share their thoughts about each and every establishment they visit.  So, on a lark, I looked up Defendant’s establishment on Yelp! Wow.  Not only were there a string of one-star reviews condemning the quality of the place’s goods and services–all of which would be useful in proving other parts of my case, like damages–but I found one review that evidenced exactly the type of “actual confusion” I was looking for.  Specifically, this customer ended her post by saying, “[Plaintiff] should be more careful who it franchises its biz to!!”  The court took note of that and similar evidence when it ruled in our favor.

Proof of a License Breach
Sometimes, social media is where the actual infringement happens.  Another case involved a defendant who was licensed to sell only our client’s products.  But we suspected that they had begun to also sell a competing product side-by-side with ours–which would have been a clear violation of their license. One of the first things I did was find the licensee online–in this case, its Twitter account.  The licensee’s self-description in its Twitter profile still identified our client’s product.  But scrolling through its stream of posts, I found a few tweets from a few months earlier that–sure enough–announced that the licensee had started advertising a competing product as well.  With this evidence in hand, we confronted and quickly resolved things with the licensee.

In each of these examples, social media offered me insights into my opponent’s thought processes and behavior that would have been difficult or impossible to get any other way.  And they came in the form of written statements that were easy to cut and paste right into a brief, pleading, or letter.  I now make it a habit to look up my opponents online in every case, just in case.

Paige’s two cents: This post also raises a good point in prepping your own client for litigation. I always tell my clients not to discuss their case with anyone if I am not present. I now also make it a point to specifically mention the social networking sites discussed here and remind them to keep the matter off Twitter, Facebook, and the like. I also recommend that our business clients keep a close eye on what their employees are putting on the Internet. Have strong and clear social networking policies in place at your business to prevent the disclosure of information that should not be shared. Assign an employee to routinely check your business’ internet presence to avoid just the type of thing Brian was able to exploit in the cases he discussed above.

Bits and Bytes

Meet the woman who made men swoon in 1940s cinema, and also secretly invented Wi-Fi technology. ti.me/tY13qh via @Techland.

Finally! Someone is tackling the serious issues….Rap Genius Decodes Lyrics for the Masses, via Businessweek. buswk.co/vsfQFz.

Who needs a Coach When You Have These Shoes? Adidas Bets on a Soccer-Shoe-with-a-Chip, via Businessweek. buswk.co/uqGZmw.

The Dilution Revolution: Two Key 2011 TTAB Opinions. law360.com/ip/articles/28.

Makeup Retailer Sephora Settles Photographer’s IP Suit Over Ad Campaign. law360.com/ip/articles/29.

 Did Angelina Jolie Steal the Plot For Her Latest Movie ‘Blood And Honey’? There’s a Plaintiff Out There That Says She Did.  law360.com/ip/articles/29.

Fabric Company Asks the 9th Circuit To Revive Aeropostale IP Suits. law360.com/ip/articles/29.

I Have to Say, I’ve Wondered This Myself: Is It The Beginning of the End for Facebook? ti.me/vJ5tOE via @Techland.

This caught my eye because my teenage daughter is obsessed with this site: Why Image-Sharing Network Pinterest Is Hot – Businessweek buswk.co/vD8Wht.

“Moneyball Marketing:” Why Geeks Are the Best Marketers, via Businessweek. buswk.co/tLlXuz.

Bits and Bytes

Bob Marley’s wife and kids sue his brother for trademark infringement.

House Intelligence Committee Passes Cybersecurity Bill.

Bipartisan lawmakers think ITC should be in charge of fighting internet piracy.

Is entrepreneurship only for the young? I don’t think so. I think it takes the experience of one or more failures to make success more possible.

Jeff Cornwall of Belmont: End of a business is no failure if entrepreneurs learn lessons.

Has Facebook become the modern equivalent of newspaper clippings sent by your parents?

The ABA gets a little closer to allowing non-lawyers to have an ownership interest in law firms. The reason? Some folks believe it would be easier for firms to recruit top IT and marketing leaders if they could offer an ownership stake.

The Prevailing Party in a Copyright Case Gets only a “Ford Fusion” Attorney Fee, Not a “Ferrari” Attorney Fee

Last spring, Coca-cola won a case against a composer who translated a new verse of the song “Coca-Cola Celebration Mix“, into Spanish as a part of a $300 million global advertising campaign. For $6,000, the composer agreed to write a Spanish-language version of the song for Coca-Cola. The dispute was whether the agreement entered into with the plaintiff was a “work for hire” arrangement.  Evidence emerged in discovery that indicated that the work was indisputably a work-made-for-hire, Coke obtained a summary judgment, and the composer was out of luck. Coke moved for an award of its attorney fees and the Magistrate issued a Report and Recommendation allowing partial attorney’s fees in the amount of $535,135.00 and partial costs in the amount of $43,011.99. The Magistrate allowed the fees because the plaintiff should have dropped the case when the evidence of the work-made-for-hire agreement surfaced but he soldiered on. The district court affirmed. See Vergara Hermosilla v. The Coca-Cola Co., No. 11-11317 (11th Cir. Nov. 3, 2011). While this is a lot of money, it was a lot less that Coke was seeking (Coke wanted $1.7 million). The district judge upheld the reduction in the amount holding that Coca-Cola was only entitled to reasonable attorney fees, not the fees that it paid for the services of a premium law firm that had staffed 19 attorneys on the case.  As the court colorfully put it:

[“R]easonable” fee applications . . . are designed to provide adequate compensation that is reasonable to bill to one’s adversary irrespective of the skill, reputation or experience of counsel. In other words, one can drive from point A to point B in a Ferrari, a BMW, or a Ford Fusion. Which car one chooses is ordinarily a matter of personal style coupled with financial freedom. The successful personal injury or criminal defense lawyer may choose the Ferrari. The average corporate defense lawyer will wisely choose the BMW. But a successful attorney fee applicant can only choose the Ford Fusion.

This ruling is sensible–to hold otherwise would chill suits against the deep pocket defendant who can afford the raft of lawyers and paralegals that cases like this can generate. Litigation may be the “sport of kings,” but the unlucky litigant that has to foot the bill may be able to get by with paying more bourgeois  rates. That may be small consolation to Mr. Hermosilla but, hey,  it’s not as bad as it could have been.

Tennessee Supreme Court Launches New Website to Give the Average Person Access to Justice

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The Tennessee Supreme Court has launched an excellent new website, http://www.justiceforalltn.com, that aims to make justice more accessible to the average Tennessean. While the introduction to the website states that it is always best to talk to a lawyer about your particular legal problem, the website offers resources for those that have no choice but to represent themselves in the Tennessee court system. It contains the applicable statutes, rules, and forms for many common problems that Tennesseans face: child support and divorce, worker’s compensation issues, entitlement to unemployment benefits, the loss of one’s driver’s license, and immigration issues, just to name a few. The page also contains general information about Tennessee’s court system and how to find a lawyer. Lawyers will find it useful as well. It is a central repository for many court forms and contains links to all of Tennessee’s major bar associations. The court also encourages folks to provide suggestions as to additional material that should be included so let them know if you see something missing. I have added it to this blog’s links and encourage you to check it out.

Copyright Suit Filed over Rights to “Cowboys & Aliens”

Picture Writer Steve Busti sued Scott Mitchell Rosenberg, Universal Studios and others this week claiming they ripped off the idea of the movie “Cowboys & Aliens” from a comic strip and graphic novel he wrote in the 1990’s, based on the idea that aliens landed in the wild, wild west and fought with cowboys. In the copyright infringement suit filed in Austin, Texas, Busti claims he came up with the aliens vs. cowboys concept and it was published in a comic book around 1994. Supposedly, around that same time,Comic Shop News, a comic book oriented publication,  ran a feature on Plaintiff’s “Cowboys and Aliens.” In that same issue, on the same page that Busti’s feature appeared, a story appeared concerning Malibu Studios and defendant Scott Mitchell Rosenberg. In May of 1997, two years after the publication of Plaintiff’s “Cowboys and Aliens,” Defendants Scott Mitchell Rosenberg and Platinum Studios, Inc., produced a one-sheet featuring a cowboy chased by an alien spaceship titled “Cowboys & Aliens.” Shortly thereafter, Universal Studios and Dreamworks bought the film rights to the project pitched by Rosenberg called “Cowboys and Aliens.” In 2006, Rosenberg launched a graphic novel series called, coincidentally enough, “Cowboys and Aliens.” To hear Busti tell it, Rosenberg’s graphic novel was very similar to his earlier “Cowboy and Alien” works: they both had an alien spaceship zooming overhead the main cowboy character [me: “so what?”] and they both had the spacecraft being discovered by Native American warriors (specifically Apache) who are then attacked [me: “well, OK…a little closer”]. In addition, the alien commander in Rosenberg’s novel was similar to the alien conqueror “Morguu” in Plaintiff’s work [me: “All alien bad guys kinda look alike to me.”]. While this movie didn’t receive very good reviews, it did make over $100 million at the box office so a lot is at stake. I haven’t seen the movie and I haven’t read the comic book or the graphic novel so I can’t opine on whether or not there is substantial similarity here but it sounds like the Plaintiff can make a decent case for access. I doubt that will be enough given these stock alien/western movie conventions but time will tell.

After His Victory Against Curb Records This Week, Tim McGraw Announces that He Will Release His First Music Without Curb

In the latest salvo between Tim McGraw and his estranged label, Curb Records, McGraw announced that next week he will release his first song, “Christmas Around the World,” with no involvement or help from Curb. Until a ruling by Davidson County Chancellor Russell Perkins this week, McGraw was still bound by a five-record deal with Curb that had stretched out for more than 20 years because Curb required a minimum wait of 18 months between projects. Since Curb had the ability to also release previously recorded material, such as “Greatest Hits” collections, ect., McGraw maintains that the waiting period had the effect of making it take an inordinate amount of time for McGraw to fulfill the five album deal–20 years and counting. The other issues in the lawsuit between McGraw and Curb–whether McGraw breached the record contract or is due a $1.5 million advance for the album Emotional Traffic will be decided in a trial this summer. After its loss in court last week, Curb announced that it would release the Emotional Traffic album in January, even though it continues to maintain that that project does not count towards McGraw’s five album total because it was recorded sooner that 18 months after the release of other McGraw material and therefore is not “fresh” enough.